This is a continuation of the previous music blog I have been working with and posting mostly videos of musical pieces I find from several genres, mostly relating to American roots music or other pieces I have enjoyed or discovered either online or on the radio over the years. It is a continuum, really, of my musical observations of fascinating things I hear or discover from several places, radio or otherwise.
Bobby Jones, George Mraz, & Freddie Waits "Hill Country Suite"
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A Full Album Friday this week for the first time in a good while. These are selections (in order) from a record called "Hill Country Suite" recorded by a trio of jazz musicians including saxophonist and clarinetist, Bobby Jones, bassist George Mraz, and drummer, Freddie Waits. The record is called "Hill Country Suite".
1. Bringin' in The Sheep
2. Old Jack Daniels
3. "Hallelujah! Y'uns All Come to the Weddin' Dance"
4. Only Blue
5. Lady Love
6. The Gospel Truth
The album features Bobby Jones on tenor saxophone, and clarinet, George Mraz on double bass, and Freddie Waits on drums.
Bobby Jones (October 30, 1928, Louisville, Kentucky - March 6, 1980, Munich) was an American jazz saxophonist.
Jones played drums as a child and started on clarinet at age 8; his father encouraged him to explore jazz. He studied with Simeon Bellison, Joe Allard, Charlie Parker, and George Russell. He played with Ray McKinley from 1949 into the mid-1950s, and then with Hal McIntyre before rejoining McKinley later in the decade.
During a stint in the Army he met Nat and Cannonball Adderley as well as Junior Mance; after his discharge he played country music and rock & roll as a studio musician, and did time with Boots Randolph and Glenn Miller (1950) before returning again with McKinley from 1959 to 1963. He played briefly with Woody Herman and Jack Teagarden in 1963, and after Teagarden's death he retired to Lousiville and started a local jazz council there in addition to teaching at Kentucky State College. In 1969 he moved to New York City and played with Charles Mingus from 1970 to 1972, touring Europe and Japan with him. He also recorded sessions under his own name in 1972 and 1974.
Late in his life he moved to Germany, where he ceased performing due to emphysema. He died there in 1980.
Albums as a leader:
The Arrival of Bobby Jones (Cobblestone, 1972) - with Charles McPherson, Jaki Byard, Richard Davis, Mickey Roker, Sue Evans, Bob Dorough
The Legacy of Bobby Jones (Muse, 1972) - re-release of Arrival, minus two tracks
Hill Country Suite (Enja, 1974) - with George Mraz, Freddie Waits
It was a joyful and rollicking good time at the Minnesota State Fair Grandstand, Thursday night, with the double bill concert featuring 1960s pop and rhythm & blues icons, The Rascals, and soul singer/rock and roll icon Daryl Hall, co-headlining a concert. The Rascals began the show with a song called "A Ray of Hope" dedicated to the children who lost their lives in the Annunciation Catholic Church shooting that happened the day before, in Minneapolis. From there, The Rascals weaved in and out of their classic popular hit songs, and they included snippets and quotes of popular songs of their contemporaries from the 1960s, and in this hour of need of positivity and healing after a tragedy, the music served as balm and comfort, upbeat and joyous the whole way through the opening set. Songs like "I've Been Lonely Too Long", "Mustang Sally" (Sir Mack Rice's song famously recorded by Wilson Pickett), and "People Got to Be Free" all had t...
From Bret "Jazz Video Guy" Primack. On February 21, 1975, Herbie Hancock and The Headhunters brought pure funk energy to The Midnight Special with a blistering performance of their hit “Chameleon," and Herbie's "Watermelon Man." Herbie commands the keyboards, Paul Jackson lays down the deep, elastic bass lines, Mike Clark drives the groove on drums, Blackbyrd McKnight brings the funk on guitar, Bill Summers adds his percussive magic, and Bennie Maupin delivers soulful, razor-sharp reeds. A timeless fusion of jazz, funk, and soul—this is The Headhunters at the height of their powers. 🎹 Herbie Hancock – Keyboards 🎸 Paul Jackson – Bass 🥁 Mike Clark – Drums 🎸 Blackbyrd McKnight – Guitar 🪘 Bill Summers – Percussion 🎷 Bennie Maupin – Reeds 📀 From the landmark album Head Hunters (1973), “Chameleon” remains a defining track of jazz-funk history.
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